Suppose this condition is satisfied. Whats next? Next, your video should gain a critical mass of viewers. A story of critical mass. Tscvetovat alexander kuznetsovs, social NetWork Analysis for StartUps, which we have read over to learn about the theory dark of viral videos, contains an excellent example of the critical mass: Facebook has survived and still continues to develop while other social networks (Friendster, myspace) have failed. It is not because of large ad campaigns or super design, but the critical mass. As you know, facebook was initially a closed system only for Harvard students (2003). In the first four hours after Facebook had been launched, 450 visitors, 6 of all students at the time, registered themselves at the site.
So, what is viral video? We call a video a viral video when it gets views at a breakneck pace because users pass the viral video link on to each other. So, what you need to make a viral video (besides the video itself)? Distribution channels and critical mass, you must admit that not all videos that you like, and which you have placed on vkontakte (m become viral. To this end, your friends should repost your video and then friends of your friends should do this and also their friends and. If your circle of friends is closed, no one in the world will be able to learn about your ability to hold a mouse between your toes or pass a level of doom in 8 minutes! . Therefore, you should put your video where there are paperless users that are also members of other communities (for example, with Facebook accounts).
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Elizabeth Bishop The fish essays
Thats another reason I made this app on my own: I wanted to be its author, all the way down. So what, exactly, is Fish all about? Everyone who reads it will probably have a different takeaway, but my meta-takeaway is this: Ideas need interfaces, too. Sloan told me that Fish was originally intended to be a blog post. And if he had been content with that format, he would have published it, a bunch of people australia would have read it, liked it in various places where intriguing ideas are liked, and then it would have become just another formless drop entering the info-ocean. Ideas dont have surfaces, but they can have interfaces. But by creating Fish as an iPhone app, Sloan gave his idea an interface of its ownwhich is to say, he gave it edges.
Sloans point, in Fish, is that a big part of the difference between liking and loving a digital artifact is being able to fix it in time and space in such a way that your senses can privately contend with it, not just the tiny. Its the same reason why we may love toting a thousand books and magazines around on Kindles and ipads, but often stiffen at the idea of throwing out the handful of volumes on our bookshelves. Fish doesnt have the ontological solidity of a beloved chapbook, but being embedded in an iPhone is about as close as a digital artifact can get to sacred status. Objects appeal to our senses and our minds, have place and space, and can acquire more meaning as time goes on, not less. (The polar opposite of a tweet.) Their surfaces and edges are what let them afford being more-than-just-likedor in Sloans words, loved. Fish is a great example.
When youre done reading whats onscreen, you tap to reveal the next one. You cant slide, swipe, or go backwards. The spartan interaction design imbues Sloans essay with a relentless, almost cinematic momentum (helped in no small part by typographic match-cuts, preacher-like repetition, and a deft sense of when to deploy a single, vivid image). The wonderful thing about Fish is how the details of its construction also work to bolster its argument. For example: Why ios, and not a html5 app? Easy answer: Apps on the phone get special privileges, Sloan tells sign.
They get the whole screen; they get a kind of intimacy; they get to stick around. The web is great for a lot of things, but looking at my own laptop screen, i see a crazy landscape: crowded pages in dozens of tabs below browser chrome surrounded by 10 other desktop apps. So on one hand, i just wanted to escape that environment. On the other hand, i wanted the kind of focus and intimacy thats possible with an app. Sloan also built Fish on his own without a developer, using online courses to teach himself Objective-c (iOSs programming language). I think designing the form is part of the fun, he says. It uses, and requires that you develop, different skills. I think its a different kind of authorship.
Bishop s The fish poetry response Essay example for Free
Its a written argument, but its not really an e-book; its an interactive product, but its not really an app, either. Think of it as an idea-with-an-interface. Not a big ideafish only takes about 10 minutes to read/tap throughbut an important one, about the difference between liking something on the Internet and really loving. Apps on the phone get the whole screen. They get a kind of intimacy. They get to stick around. Sloans argument unfurls like a slide deck written just for you: Its composed of little more than words on plain colored backgrounds, simply-but-lovingly laid out book end to end.
Why did he use? The fish Analysis Rupert Brooke characters archetypes. Sparknotes bookrags the meaning summary overview critique of explanation online education meaning metaphors symbolism characterization itunes. Quick fast explanatory summary. Pinkmonkey free cliffnotes cliffnotes ebook pdf doc file essay summary literary terms analysis professional definition summary synopsis sinopsis interpretation critique the fish Analysis Rupert Brooke itunes audio book mp4 mp3). By john pavlus assist 3 minute read, how many links, videos, statuses, gifs, tweets, posts, and pins have passed through your optic nerves today? Out of those, how many have you liked enough to repost, reshare, reblog, retweet, or otherwise share? And out of those, how many do you actually recall anything of substance about? Robin Sloan is troubled by this phenomenon, and says so in his new tap essay for iPhone, fish.
O world of lips, o world of laughter, Where hope is fleet, and thought flies after, Of lights in the clear night, of cries That drift along the wave and rise Thin to the glittering stars above, you know the hands, the eyes of love! The strife of limbs, the sightless clinging, The infinite distance, and the singing Blown by the wind, a flame of sound, The gleam, the flowers, and vast around The horizon, and the heights above— you know the sigh, the long of love! But there the night is close, and there darkness is cold and strange and bare; And the secret deeps are whisperless; And rhythm is all deliciousness; And joy is in the throbbing tide, whose intricate fingers beat and glide In felt bewildering harmonies Of trembling. Space is no more, under the mud; His bliss is older than the sun. Silent and straight the waters run. The lights, the cries, the willows dim, And the dark tide are one with him. There have been no submitted criqiques, be the first to add one below. The fish Analysis Rupert Brooke critical analysis of poem, review school overview. Analysis of the poem.
Mysterious, and shape to shape, dies momently through whorl and hollow, And form and line and solid follow. Solid and line and form to dream. Fantastic down the eternal stream; An obscure world, a shifting world, bulbous, or pulled to thin, or curled, Or serpentine, or driving arrows, Or serene slidings, or March narrows. There slipping wave writing and shore are one, and weed and mud. No ray of sun, but glow to glow fades down the deep (As dream to unknown dream in sleep Shaken translucency illumes, the hyaline of drifting glooms; The strange soft-handed depth subdues, drowned colour there, but black to hues, As death to living, decomposes—. Red darkness of the heart of roses, Blue brilliant from dead starless skies, And gold that lies behind the eyes, The unknown unnameable sightless white, that is the essential flame of night, lustreless purple, hooded green, The myriad hues that lie between. And all's one, gentle, embracing, quiet, dun, The world he rests in, world he knows, perpetual curving. Only—grows, an eddy in that ordered falling, a knowledge from the gloom, a calling. Weed in the wave, gleam in the mud—.
The fish by elizabeth Bishop Essay example - best Essay help
Sponsored Links, in a cool curving world he lies. And ripples with dark ecstasies. The kind luxurious lapse and steal. Shapes all his universe to feel. And know and be; writing the clinging stream. Closes his memory, glooms his dream, Who lips the roots o' the shore, and glides. Superb on unreturning tides. Those silent waters weave for him. A fluctuant mutable world and dim, Where wavering masses bulge and gape.